“Where’s all the women that still remember who they slept with? Where’s all the girls too busy studying to make the guest list?
But when you do go out, you still working what you was blessed with […] Don’t make the good girls go bad, no.”
— Game ft. Drake, Good Girls Go Bad
But what is a good girl anyway? Does she have to know her prayers by heart? Can she ever let go, and get her freak on? Thick Beats for Good Girls is the electrifying collaboration between performance-poet Pooja Nansi and playwright Jessica Bellamy, who ask a ton of questions about the balancing act that is being a woman, an ethnic or religious minority and—God forbid—a hip-hop enthusiast.
This is the coming-of-age anthem Singapore hasn’t heard yet—mainly because it wouldn’t make it on to national radio. This is love and finding a sense of belonging while rapping along to lyrics your mom wouldn’t approve of, the rush of walking into a club and feeling the bass in your bones. This is learning to stand in your own light. This is asking the question: Do good girls ever get to call the shots? Featuring writer-performers Pooja Nansi and Jessica Bellamy, with direction and dramaturgy by Huzir Sulaiman.